The Singapore Palestinian Film Festival 2017: Adela Foo
Lee Ying Ying
Organiser of the Singapore Palestinian Film Festival 2017, Adela Foo, sheds some light on war-torn Palestine and what drew her towards the region.
More than two years after the war, the Israeli-Palestinian conflict left its citizens displaced and unable to resume their daily lives. Citizens of both war-torn states have experienced immense grief and loss, and Israelis living in border towns have lived their days fleeing from rockets fired from Gaza into Israel. It is a fact that the average Singaporean cannot possibly imagine life on either side.
This is why Adela Foo intends to open our eyes on life in Palestine.
Adela Foo is the organiser of the Singapore Palestinian Film Festival 2017, which aims to dispel common stereotypes surrounding Palestinians living in Palestinian territories in the Middle East. The media often depicts Palestine as an unsafe and unstable state, but the truth is far more nuanced than that.
You might wonder why Adela is so drawn towards Palestine and the Middle East, but spend a little time with this Arabic and Classics major at Bard College, a private New York liberal arts college, and you’ll understand why. Admitting that she’s the only one in her class majoring in both Arabic and Classics, the zealous girl lets on: “because really, who wants to learn Arabic and then Ancient Greek on top of that?”
Adela turns serious: “However, I have always been in love with Classics and knew that I wanted to major in it, especially after taking Daniel Mendelsohn’s class on the ‘Odyssey’. As for Arabic, I was particularly interested in learning more about the region after studying about the Arab-Israeli conflict in junior college.”
Arabic is an extremely intricate language and difficult to master. Yet, Adela dismissed thoughts of giving up learning Arabic after “running away” to Egypt last summer, and her parents had since set aside their disgruntlement about her majors. “To clarify, I didn’t actually run away, but simply did not tell my parents that I would be attending the Arabic Summer Intensive Program at Al-quds Bard (AUB). After my father found out, I actually think he was slightly impressed by my commitment to pursuing my studies,” says Adela.
“After running away to Egypt, I realised what a rich and incredible history this region has from times of antiquity to our present day and age. How could I ever give up studying either subject?”
Even though Adela grew up post-911 and witnessed how the image of the Arab world became associated with hostility, she never believed that people could be born as terrorists: “Perhaps that seems idealistic and naive, but it’s just something that I never really bought.” Let’s hear more from the dedicated 21-year-old.
Doyenne: Tell us about the complexity and diversity of Palestinian culture.
Adela: This is what Palestine is to me: babies with the bluest eyes, girls with curly, red hair and liquid brown eyes; when we’re roaring across the highway, there’s a 50% chance that you’ll see the craziest kinds of rock formations and there will always be a flock of goats or donkeys under the flyover.
The worst thing that someone can do is to invite you into their homes for tea, cooking an entire meal for you, and then giving you a bed to sleep in for the night without even knowing your last name.
D: Do you think that the media often portrays Palestine in a bad light?
A: Well, that really depends on what media you subscribe to, doesn’t it? I think in general, the media tends to cover stories in Palestine that are either about rising tensions between both parties in the conflict, or the inability of either side to come to an agreement about resolving the conflict. Either way, I think people’s takeaway from the media’s portrayal about Palestine is that the entire country is unsafe, unstable, and inherently dangerous.
When I was living in the village of Beit Sahour in the West Bank in Palestine, I felt very safe. The atmosphere of the neighborhood was calm and the only ruckus was when children were playing football in the streets and neighbours placed their chairs at the gates of their homes to chat.
However, I am also very aware of the fact that this is one aspect of Palestine that I had the privilege of experiencing. What I experienced in Beit Sahour cannot be taken to echo all of Palestine.
D: Are your classmates also passionate and outspoken about this topic?
A: My classmates are even more passionate and outspoken about this particular topic. Because of the Palestinian diaspora and the fact that my college has an exchange program with a Palestinian university, there are always Bard students who are Palestinian. Perhaps this human factor allows the community at Bard to see the conflict in a more humane light, that these are people too whom we should care about.
Additionally, there are student-run clubs such as Students for Justice in Palestine, which constantly invites speakers to come and speak out against the conflict. Another interesting club is the Bard Palestinian Youth Initiative, which is committed to sending a group of Bard students to Mas’ha, a small village in the West Bank to teach high school students through our “Language and Thinking” program. It is an introduction to the liberal arts and sciences with a strong focus on writing.
D: You’ve gained quite a bit of traction online in a short span of time. How do you feel?
A: I feel incredibly grateful for the amount of support shown by Singaporeans towards supporting the first ever Singapore Palestinian Film Festival! My greatest hope is that even after this festival ends, Singapore’s society will become more permeable with regards to being more informed about the Palestinian conflict and hopefully, taking a stand with it.
D: Doesn’t tackling a complex issue scare you?
A: Not particularly. I constantly remind myself of the bravery of a lovely feisty old grandmother whom I lived with last summer in Palestine. If she could live through it all, what do I have to fear?
Date: 19 – 22 Jan, 2017
Venue: The Projector
Films that will be screened: Speed Sisters, Sling-Shot Hip-Hop, The Wanted 18, The Time That Remains, Broken Cameras.